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T.J. Clark. Those Passions

On Art and Politics


  • Thames & Hudson
  • by T. J. Clark
The careful distillation of a lifetime's writing by the internationally renowned art historian T.J. Clark, who addresses key issues of art's relationship with politics. Using case studies stretching across the centuries, from Hieronymus Bosch to Jacques-Louis David and the French Revolution, from Walter Benjamin to Pier Paolo Pasolini, Those Passions aims to show how modern art has responded to the chaos and danger of modern life.

ISBN 9780500025260 | EN | HB
€59,50
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Publisher Thames & Hudson
ISBN 9780500025260
Author(s) by T. J. Clark
Publication date February 2025
Edition Hardback
Dimensions 246 x 186 mm
Illustrations 101 col. & bw ill.
Pages 384
Language(s) English ed.
Description

The careful distillation of a lifetime's writing by the internationally renowned art historian T.J. Clark, who addresses key issues of art's relationship with politics.

Is art obliged to engage with politics? If so, how? By taking sides in political struggle; by singing the song of the barricade, the new nation, the bombed city? Or by giving form to the deeper patterns of experience - the raw materials of 'society' - from which any politics is made? Using case studies stretching across the centuries, from Hieronymus Bosch to Jacques-Louis David and the French Revolution, from Walter Benjamin to Pier Paolo Pasolini, Those Passions aims to show how modern art has responded to the chaos and danger of modern life.

In the book's three sections - 'Precursors', 'Moderns' and 'Modernities' - internationally renowned art historian T. J. Clark unpicks the nature of capitalist society and its visual culture. He tries to understand the politics of appearance which is now our natural home - the twists and turns of consumerism, the arrival of the 24-hour image-world, the changing modes of symbolic production and the ongoing saturation of life by pictures and 'data' - and take stock of our guilty love affair with the imagery of violence, our attitude to the dream-world of advertising, the power and pathos of screen time.

Written over the course of twenty-five years, these radical, provocative essays rethink issues central to art-making and political life today.