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Anastasia Samoylova

Adaptation


  • Thames & Hudson
  • Expo: 14/10/2024 - 11/05/2025, Metropolitan Museum of Art, New York
  • by Anastasia Samoylova, David Campany, Lucy Sante, Mia Fineman
The first monograph of trailblazing photographer Anastasia Samoylova is a vital – and gently humorous – meditation on environmentalism, consumer culture and our disorientating times.

ISBN 9780500027189 | EN | HB
€66,50
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Publisher Thames & Hudson
ISBN 9780500027189
Author(s) Anastasia Samoylova, David Campany, Lucy Sante, Mia Fineman
Publication date September 2024
Edition Hardback
Dimensions 305 x 245 mm
Illustrations 197 col.ill.
Pages 224
Language(s) English ed.
Exhibition Metropolitan Museum of Art, New York
Description

A career-to-date monograph of Anastasia Samoylova-a rising star in contemporary photography-published to coincide with a joint exhibition of her work alongside Walker Evans at the Metropolitan Museum of Art (on view October 2024-May 2025).

Anastasia Samoylova is one of the most dynamic image makers of our time, using her mastery of color and formal dynamics to explore issues of climate change, consumerism, and the overdevelopment of twenty-first-century cities. Russian-born and now a resident of Florida, Samoylova moves between observational photography and studio practice, creating imagery that is absolutely "of the moment" but also drawing from influences including the Russian avant-garde, cubism, pop art, and the postmodern interest in the blurred lines between image and reality. Across the last decade, Samoylova has assembled a global vision at once sublimely beautiful and incisive in its assessment of the challenges we face.

Samoylova's previous publications, including FloodZone, Floridas, and Image Cities, have each focused on a single project. Anastasia Samoylova, edited by longtime creative collaborator David Campany, presents her career to date across six project-centered chapters and an overview of her visual language that, with ever-present intelligent humor, both seduces and gently provokes the viewer in equal measure.

Supported by texts by writer and critic Lucy Sante and Met curator Mia Fineman, this first career retrospective introduces a rising star in photography to a popular, global audience.