Dear Customer, we will be closed for the holidays from December 25th until January 2nd. Make sure to place your orders before December 18th!

My Cart

loader
Loading...

I object

Ian Hislop's search for dissent


  • British Museum
  • Expo;: 6/9/2018 - 20/1/2019, British Museum, London
  • by Ian Hislop, Tom Hockenhull
I object gathers together some 180 objects that people have created, adapted and used to mock and attack the status quo in societies as varied as Egypt in the 11th century bc, 16th-century England and late 20th-century Afghanistan. The objects frequently illuminate lost or forgotten movements in history, giving voice to those who feel disenfranchised or have no other way to express their views safely. The objects have been chosen by satirist Ian Hislop, who also co-wrote the text with Tom Hockenhull.

ISBN 9780500480410 | E | HB
€36,50
at this moment not in stock
Quantity
More Information
Publisher British Museum
ISBN 9780500480410
Author(s) Ian Hislop, Tom Hockenhull
Publication date September 2018
Edition Hardback
Dimensions 240 x 170 mm
Illustrations 150 col. & bw ill.
Pages 224
Language(s) Eng. ed.
Exhibition British Museum, London
Description

I object gathers together some 180 objects that people have created, adapted and used to mock and attack the status quo in societies as varied as Egypt in the 11th century bc, 16th-century England and late 20th-century Afghanistan. The objects - ranging from badges, posters, prints and ceramics to items that contain messages hidden from first view, such as wooden doors from Nigeria, a cotton kanga from Kenya or a postage stamp from China - frequently illuminate lost or forgotten movements in history, giving voice to those who feel disenfranchised or have no other way to express their views safely. The objects have been chosen by satirist Ian Hislop, who also co-wrote the text with Tom Hockenhull. The book is organized into three sections: the first looks at overt challenges to authority, from defaced coins to visual satire; the second explores how subversive messages, codes and metaphors can be concealed in, for example, clothing and jewelry; the third investigates the role of the artist as activist. The result is a celebration of the wit and ingenuity of those who have questioned the establishment told through the objects that they have left behind, showing that the human spirit of rebellion is impossible to crush.