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Stephen Shore

Solving Pictures


  • Thames & Hudson
  • Expo: 19/11/2017 - 28/5/2018, Museum of Modern Art, N.Y.
  • by Quentin Bajac
One of the most significant photographers of our time, Stephen Shore has often been considered alongside other artists who rose to prominence in the 1970s by capturing the mundane aspects of American popular culture in straightforward, unglamorous images. Published to accompany the exhibition showing at The Museum of Modern Art. Includes hundreds of photographic works, along with additional materials including books, ephemera, and objects.

ISBN 9780500544969 | E | HB+
€84,50
available
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Publisher Thames & Hudson
ISBN 9780500544969
Author(s) Quentin Bajac
Publication date November 2017
Edition Hardback with dust jacket
Dimensions 304 x 240 mm
Illustrations 450 col.ill.
Pages 336
Language(s) Eng. ed.
Exhibition Museum of Modern Art, N.Y.
Description

Published to accompany the exhibition showing at The Museum of Modern Art. Includes hundreds of photographic works, along with additional materials including books, ephemera, and objects.

One of the most significant photographers of our time, Stephen Shore has often been considered alongside other artists who rose to prominence in the 1970s by capturing the mundane aspects of American popular culture in straightforward, unglamorous images. But Shore has worked with many forms of photography, switching from cheap automatic cameras to large-format cameras in the 1970s, pioneering the use of colour before returning to black and white in the 1990s, and in the 2000s taking up the opportunities of digital photography, digital printing and social media.

Stephen Shore encompasses the entirety of the artist’s work of the last five decades, during which he has conducted a continual, restless interrogation of image making, from the gelatin silver prints he made as a teenager to his current engagement with digital platforms. Published to accompany the major exhibition at The Museum of Modern Art, New York, the book allows for a fuller understanding of Shore’s work, and demonstrates his singular vision – defined by an interest in daily life, a taste for serial and often systematic approaches, a strong intellectual underpinning, a restrained style, sly humour and visual casualness – and uncompromising pursuit of photography’s possibilities.