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The Fauve Paintings of Georges Braque

A Joyful Revelation


  • Rizzoli
  • Expo: 8/10/2016 - 9/1/2017, Barnes Foundation, Philadelphia | 8/2/2017 - 7/5/2017, McNay Art Museum, San Francisco
  • by Kenneth Wayne & Brigitte Léal
The outstanding Fauvist achievements of Georges Braque (1882-1963) appear as a revelation in The Fauve Paintings of Georges Braque, the first book devoted to this important period of the artist's oeuvre. An important contribution to the field, The Fauve Paintings of Georges Braque outlines a new understanding of this pivotal moment in modern art.

ISBN 9780847849536 | E | HB+
€55,00
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Publisher Rizzoli
ISBN 9780847849536
Author(s) Kenneth Wayne & Brigitte Léal
Publication date October 2016
Edition Hardback with dust jacket
Dimensions 263 x 276 mm
Illustrations 120 col.ill.
Pages 176
Language(s) Eng. ed.
Exhibition Barnes Foundation, Philadelphia | 8/2/2017 - 7/5/2017, McNay Art Museum, San Francisco
Description

The first publication and exhibition devoted to Georges Braque’s Fauve period, a significant and largely unknown body of work from one of the twentieth century’s most celebrated painters. The outstanding Fauvist achievements of Georges Braque (1882–1963) appear as a revelation in The Fauve Paintings of Georges Braque, the first book devoted to this important period of the artist’s oeuvre. Before founding Cubism with Pablo Picasso, Braque spent his intensely productive early career allied with Henri Matisse. While Braque’s contributions to Cubism are well chronicled, it was previously assumed that he created only a few Fauvist paintings. This volume draws on new research to reveal that he painted more than eighty brilliantly colored works in the Fauvist style, addressing this significant omission from Braque’s catalogue raisonné. From 1906–07, Braque traveled between Antwerp, Paris, La Ciotat, and L’Estaque, painting Fauvist landscapes, harbor scenes, urban vistas, nudes, and still lifes. This unprecedented publication—which reproduces a full range of works from this period—investigates the significance of Braque’s choice of places to work and examines his relationship with other Fauve artists in his circle, including André Derain, Othon Friesz, and Henri Matisse, in essays by scholars Kenneth Wayne and Brigitte Léal. An important contribution to the field, The Fauve Paintings of Georges Braque outlines a new understanding of this pivotal moment in modern art.