My Cart

loader
Loading...

Dora Maar

Paris in the Time of Man Ray, Jean Cocteau, and Picasso


  • Rizzoli
  • by Louise Baring
An important look at Surrealist photography, Dora Maar is also beautifully illustrated with photographs celebrating Maar's friendships with leading artists and intellectuals of the day, such as Georges Bataille (Maar's former lover), glamorous Nusch Éluard and her husband, the poet Paul Éluard, and arts patron and hostess Marie-Laure de Noailles, evoking the atmosphere of 1930s and '40s artistic Paris.

ISBN 9780847858538 | E | HB+
€62,95
at this moment not in stock
Quantity
More Information
Publisher Rizzoli
ISBN 9780847858538
Author(s) Louise Baring
Publication date April 2017
Edition Hardback with dust jacket
Dimensions 254 x 203 mm
Illustrations 150 col.ill.
Pages 224
Language(s) Eng. ed.
Description

Highly regarded as a Surrealist photographer in the 1930s, Dora Maar was a fellow student with Henri Cartier-Bresson and friends with Brassaï, Man Ray, Jean Cocteau, and André Breton, the charismatic leader of the Surrealists.

When Maar met Picasso in the mid-1930s, she became the most influential of his many muses, inspiring much of what is considered to be his best work. But during the ten years they were together, she abandoned her career as an acclaimed professional photographer and instead photographed Picasso, including her famous series of him painting Guernica.

While Maar was considered an influential Surrealist photographer, most of her work vanished from the public eye once she stopped creating it in the late 1930s. Now, this volume restores her photographs to their place in history, featuring a treasure trove of incredible and never-before-published images.

An important look at Surrealist photography, Dora Maar is also beautifully illustrated with photographs celebrating Maar’s friendships with leading artists and intellectuals of the day, such as Georges Bataille (Maar’s former lover), glamorous Nusch Éluard and her husband, the poet Paul Éluard, and arts patron and hostess Marie-Laure de Noailles, evoking the atmosphere of 1930s and ’40s artistic Paris.