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Flung Out of Space

The Indecent Adventures of Patricia Highsmith


  • Abrams (A&CB)
  • by By Grace Ellis, Hannah Templer
Flung Out of Space is an imagined portrait of the wild and complicated figure that was infamous crime writer Patricia Highsmith. As the story opens, we meet Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Pat is a chronic womanizer, but she's ashamed of being gay, and so on the recommendation of her therapist, she enrolls in conversion therapy, where she meets many of her future sexual conquests.

ISBN 9781419744334 | EN | HB
€23,50
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Publisher Abrams (A&CB)
ISBN 9781419744334
Author(s) By Grace Ellis, Hannah Templer
Publication date February 2022
Edition Hardback
Dimensions 241 x 165 mm
Illustrations throughout col.ill.
Pages 208
Language(s) English ed.
extra information two-color illustrations throughout
Description

Flung Out of Space is an imagined portrait of the wild and complicated figure that was infamous crime writer Patricia Highsmith. As the story opens, we meet Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Her brain churns with images of the great novel she could and should be writing-what will eventually be Strangers on a Train (which would later be adapted into a classic film by Alfred Hitchcock in 1951). Pat is a chronic womanizer, but she's ashamed of being gay, and so on the recommendation of her therapist, she enrolls in conversion therapy, where she meets many of her future sexual conquests. This is also not just the story of a queer woman, but of a queer artist. Written and illustrated by two heavyweights in the comics world-Grace Ellis and Hannah Templer, it's a comic about what it was like to write comics in the 1950s, but also about what it means to be a writer at any time in history, struggling to find your voice. Flung Out of Space isn't a rosy portrait of queer life, but rather an unflinching one. An afterword written by Highsmith's authorized biographer, Joan Schenkar, contextualizes the writer's life with this fictional portrayal and offers insight into Highsmith's complex legacy. Highsmith was unapologetic but guilt-ridden, talented but self-sabotaging, magnetic but withdrawn, vicious but hilarious. In short: She was a hell of a woman and a hell of a protagonist.