Dear Customer, we will be closed for the holidays from December 25th until January 2nd. Make sure to place your orders before December 18th!

My Cart

loader
Loading...

Art in Pursuit of Common Cause


  • D.A.P.
  • by Abigail Winograd, Jill Sterrett, Marlies Carruth, Michael Christiano, Don Meyer
This publication examines the development and reception of Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40 (TCC), a citywide project in Chicago that included the work of 29 artists installed at 19 venues throughout the city. An attempt has been made to include content rarely seen in the traditional exhibition catalog, to analyze and amplify the voices of actual visitors and to place the project's learnings in the context of the shifting ground of museum practice.

ISBN 9781636811291 | EN | PB
€40,95
at this moment not in stock
Quantity
More Information
Publisher D.A.P.
ISBN 9781636811291
Author(s) Abigail Winograd, Jill Sterrett, Marlies Carruth, Michael Christiano, Don Meyer
Publication date July 2024
Edition Paperback
Dimensions 241 x 190 mm
Illustrations 40 col.ill. | 150 bw.ill.
Pages 220
Language(s) English ed.
Description

MacArthur Fellows including Jeffrey Gibson, Kara Walker and more collaborate with and create art in Chicago's urban spaces.

This publication examines the development and reception of Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40 (TCC), a citywide project in Chicago that included the work of 29 artists installed at 19 venues throughout the city. The volume commemorates the widely discussed exhibition, which sought to underscore art's power to catalyze change and to unleash the imagination on pressing social challenges, including environmental justice, public health crises, economic inequality and others.

Art in Pursuit of Common Cause seeks to document the ideas, roadblocks, rewards and questions that were raised during the planning, exhibitions and aftermath of the citywide exhibition. An attempt has been made to include content rarely seen in the traditional exhibition catalog, to analyze and amplify the voices of actual visitors and to place the project's learnings in the context of the shifting ground of museum practice.