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Classic Russians: BULGAKOV, Master and Margarita
Bulgakov Mikhail
- Random House - Vintage Classics
- (Vintage Classic Russians Series)
- by Mikhail Bulgakov & Michael Glenny (translator)
More Information
Publisher | Random House - Vintage Classics |
---|---|
ISBN | 9781784871932 |
Author(s) | Mikhail Bulgakov & Michael Glenny (translator) |
Publication date | January 2017 |
Edition | Trade Pb |
Dimensions | 216 x 153 mm |
Pages | 384 |
Language(s) | Eng. ed. |
Exhibition | (Vintage Classic Russians Series) |
Description
The Vintage Classic Russians Series: Published for the 100th anniversary of the 1917 Russian Revolution, these are must-have, beautifully designed editions of six epic masterpieces that have survived controversy, censorship and suppression to influence decades of thought and artistic expression. The devil makes a personal appearance in Moscow accompanied by various demons, including a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil's onslaught.
Mikhail Bulgakov was born in Kiev in May 1891. He studied and briefly practised medicine and, after indigent wanderings through revolutionary Russia and the Caucasus, he settled in Moscow in 1921. His sympathetic portrayal of White characters in his stories, in the plays The Days of the Turbins (The White Guard), which enjoyed great success at the Moscow Arts Theatre in 1926, and Flight (1927), and his satirical treatment of the officials of the New Economic Plan, led to growing criticism, which became violent after the play The Purple Island.
His later works treat the subject of the artist and the tyrant under the guise of historical characters, with plays such as Molière, staged in 1936, Don Quixote, staged in 1940, and Pushkin, staged in 1943. He also wrote a brilliant biography, highly original in form, of his literary hero, Jean-Baptiste Molière, but The Master and Margarita, a fantasy novel about the devil and his henchmen set in modern Moscow, is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death at Moscow in 1940.