Inside Story

His most intimate and epic work to date, Inside Story is the unseen portrait of Martin Amis’ extraordinary life, as a man and a writer. This novel had its birth in a death – that of the author's closest friend, Christopher Hitchens. We also encounter the vibrant characters who have helped define Martin Amis, from his father Kingsley, to his hero Saul Bellow, from Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated his twenties, the alluringly amoral Phoebe Phelps. What begins as a thrilling tale of romantic entanglements, family and friendship, evolves into a tender, witty exploration of the hardest questions: how to live, how to grieve, and how to die? In his search for answers, Amis surveys the great horrors of the twentieth century, and the still unfolding impact of the 9/11 attacks on the twenty-first – and what all this has taught him about how to be a writer. The result is one of Amis’ greatest achievements: a love letter to life that is at once exuberant, meditative, heartbreaking and ebullient, to be savoured and cherished for many years to come.

Martin Louis Amis (born 25 August 1949) is a British novelist, essayist, memoirist, and screenwriter. He is best known for his novels Money (1984) and London Fields (1989). He received the James Tait Black Memorial Prize for his memoir Experience and has been listed for the Booker Prize twice (shortlisted in 1991 for Time's Arrow and longlisted in 2003 for Yellow Dog). Amis served as the Professor of Creative Writing at the Centre for New Writing at the University of Manchester until 2011.[1] In 2008, The Times named him one of the 50 greatest British writers since 1945.
Amis's work centres on the excesses of "late-capitalist" Western society, whose perceived absurdity he often satirises through grotesque caricature; he has been portrayed as a master of what The New York Times called "the new unpleasantness". Inspired by Saul Bellow and Vladimir Nabokov, as well as by his father Kingsley Amis, Amis himself has influenced many British novelists of the late 20th and early 21st centuries, including Will Self and Zadie Smith.