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Everything She Touched

The Life of Ruth Asawa


  • Chronicle Books
  • by Marilyn Chase, Jonathan Laib
Now in paperback! The definitive biography and inspiring story of American sculptor Ruth Asawa. This is the story of a woman who wielded imagination and hope in the face of intolerance and who transformed everything she touched into art. In this compelling biography, author Marilyn Chase brings Asawa's story to vivid life. She draws on Asawa's extensive archives and weaves together many voices-family, friends, teachers, and critics-to offer a complex and fascinating portrait of the artist.

ISBN 9781797232645 | EN | PB+
€25,50
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Publisher Chronicle Books
ISBN 9781797232645
Author(s) by Marilyn Chase, Jonathan Laib
Publication date June 2025
Edition Paperback with flaps
Dimensions 203 x 152 mm
Pages 328
Language(s) English ed.
Description

Now in paperback! The definitive biography and inspiring story of American sculptor Ruth Asawa.

This is the story of a woman who wielded imagination and hope in the face of intolerance and who transformed everything she touched into art. In this compelling biography, author Marilyn Chase brings Asawa's story to vivid life. She draws on Asawa's extensive archives and weaves together many voices-family, friends, teachers, and critics-to offer a complex and fascinating portrait of the artist.

Born in California in 1926, Ruth Asawa grew from a farmer's daughter to a celebrated sculptor. She survived adolescence in the World War II Japanese American internment camps and attended the groundbreaking art school at Black Mountain College. She then went on to develop her signature hanging-wire sculptures, create iconic urban installations, revolutionize arts education in her adopted hometown of San Francisco, fight through lupus, and defy convention to nurture a multiracial family.

This richly visual volume is illustrated with over 70 reproductions of Asawa's art and archival photos of her life, including portraits shot by celebrated photographer Imogen Cunningham.
It documents Asawa's transformative touch, most notably the way she turned wire-the material of the internment camp fences-into sculptures.

Additions to the paperback: a foreword by Jonathan Laib, director of the David Zwirner Gallery, and an author's note that charts the continued rise of Asawa's star in the art world and beyond.