Dear Customer, we will be closed for the holidays from December 25th until January 2nd. Make sure to place your orders before December 18th!

My Cart

loader
Loading...

An Inconvenient Place


  • Fitzcarraldo Editions (Faber)
  • by Jonathan Littell, Antoine d’Agata, Charlotte Mandell
What is a place? With the photographer Antoine d'Agata, before the full-scale Russian invasion of Ukraine, Jonathan Littell began to survey Babyn Yar, the site of the 1941 massacre of the Jews of Kyiv, and the traces left on the landscape. A place whose traces we erase as quickly as possible. How then to write, how to photograph when, there is literally nothing to see - or almost nothing?

ISBN 9781804271124 | EN | PB+
€19,95
at this moment not in stock
Quantity
More Information
Publisher Fitzcarraldo Editions (Faber)
ISBN 9781804271124
Author(s) by Jonathan Littell, Antoine d’Agata, Charlotte Mandell
Publication date September 2024
Edition Paperback with flaps
Dimensions 197 x 125 mm
Illustrations 64 bw.ill.
Pages 352
Language(s) English ed.
Description

What is a place? A place where things happened, horrible things, the traces of which have been erased? Ukraine, for a long time, has been filled with these 'inconvenient places' which embarrass everyone, no matter which side of post-Soviet memorial politics they stand on: crimes of Stalinism, crimes of Nazism, crimes of nationalists, crimes of Russians; the killings follow one after -another on this battered territory which aspires only to a form of peace and normality.

With the photographer Antoine d'Agata, before the full-scale Russian invasion of Ukraine, Jonathan Littell began to survey Babyn Yar, the site of the 1941 massacre of the Jews of Kyiv, and the traces left on the landscape. The war came to interrupt their work. It resumed quite quickly in another form, in another place, the small sub-urban town of Bucha, which became infamous after the discovery of the atrocities perpetrated there by the Russian occupying forces. Again, a place where things happened; again, a place whose traces we erase as quickly as possible. How then to write, how to photograph when, there is literally nothing to see - or almost nothing?