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Chatting with Henri Matisse

The Lost 1941 Interview


  • Tate
  • by Henri Matisse with Pierre Courthion. Edited by Serge Guilbaut, translated by Chris Miller
In 1941 the Swiss art critic Pierre Courthion interviewed Henri Matisse while the artist was in bed recovering from a serious operation. After months of complicated discussions between them, and just weeks before the book was to come out, Matisse suddenly refused its publication. Taken from a typescript of the interview which resides at the Getty Research Institute, this rich conversation (conducted during the Nazi occupation of France) is published for the first time in this volume (English + French).

ISBN 9781849762298 | E | HB
€41,95
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Publisher Tate
ISBN 9781849762298
Author(s) Henri Matisse with Pierre Courthion. Edited by Serge Guilbaut, translated by Chris Miller
Publication date September 2013
Edition Hardback
Dimensions 228 x 152 mm
Illustrations 23 col.ill. | 23 bw.ill.
Pages 368
Language(s) Eng. ed.
Description

In 1941 the Swiss art critic Pierre Courthion interviewed Henri Matisse while the artist was in bed recovering from a serious operation. After months of complicated discussions between them, and just weeks before the book was to come out, Matisse suddenly refused its publication.
Taken from a typescript of the interview which resides at the Getty Research Institute, this rich conversation (conducted during the Nazi occupation of France) is published for the first time in this volume, where it appears both in English translation and in the original French version. Matisse unravels memories of his youth and his life as a bohemian student in Gustave Moreau's atelier. He recounts his experience with collectors, including Alfred Barnes. He discusses fame, writers, musicians, politicians and, most fascinatingly, his travels. With a preface by Claude Duthuit, Matisse's grandson, Chatting with Henri Matisse contains essays by Yve-Alain Bois and Laurence Bertrand Dorleac, and an introduction by Serge Guilbaut. The book also includes unpublished correspondence and other original documents related to Courthion's interview and abounds with details about avant-garde life, tactics and artistic creativity in the first half of the twentieth century.