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Sunil Gupta
Tate Photography Series 3:2
- Tate
- by Jasmine Kaur Chohan
More Information
Publisher | Tate |
---|---|
ISBN | 9781849769556 |
Author(s) | by Jasmine Kaur Chohan |
Publication date | April 2025 |
Edition | Paperback |
Dimensions | 200 x 140 mm |
Pages | 64 |
Language(s) | English ed. |
Description
Over a career spanning more than four decades, Sunil Gupta has maintained a visionary approach to photography, producing bodies of work that are pioneering in their social and political commentary. The artist's diasporic experience of multiple cultures informs a practice dedicated to themes of race, migration and queer identity - his own lived experience a point of departure for photographic projects, born from a desire to see himself and others like him represented in art history.
Working in India, the United States, and the UK, his best-known works include the Exiles series (1986-7), Lovers: Ten Years On (1984-6), the series From Here to Eternity (1999), Songs of Deliverance (2022). His newspaper articles, speeches and essays show his crucial role at the centre of grassroots queer and postcolonial organising throughout his career. He continues to forge his own cultural history, fusing the public and the personal through photographs that highlight those marginalised in society.
The Tate Photography series is a celebration of international and British photography in the Tate collection and an introduction to some of the most significant photographers at work today. Each book focuses on an individual photographer and features a specially selected sequence of photographs, an introduction by a Tate curator, and a conversation with the photographer.
The theme for Series Three is Queer and Visible, bringing together four artists who use photography to unfold valuable insights into queer life. Each artist uniquely reflects upon societal constructs of sexuality and race and responds to the experience of living in a predominantly white and heteronormative Western society. Desire, identity and joy are artfully explored, upturning assumptions about blackness, race and queerness.