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National Portrait Gallery

A Portrait of Britain


  • National Portrait Gallery
  • by Sandy Nairne and Tarnya Cooper
A national pantheon of the greatest names in British history and culture, the Collection of the National Portrait Gallery contains more than 11,000 paintings, sculptures and works on paper and over a quarter of a million photographs. There are kings and queens, courtiers and courtesans, politicians and poets, soldiers and scientists, artists and writers, philosophers and film stars individuals from every sphere.

ISBN 9781855144859 | E | PB
€36,95
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Publisher National Portrait Gallery
ISBN 9781855144859
Author(s) Sandy Nairne and Tarnya Cooper
Publication date October 2014
Edition Paperback
Dimensions 270 x 230 mm
Illustrations 260 col.ill.
Pages 288
Language(s) Eng. ed.
Description

A national pantheon of the greatest names in British history and culture, the Collection of the National Portrait Gallery contains more than 11,000 paintings, sculptures and works on paper and over a quarter of a million photographs. There are kings and queens, courtiers and courtesans, politicians and poets, soldiers and scientists, artists and writers, philosophers and film stars individuals from every sphere. This book presents a broad selection of the personalities that have shaped the last four centuries of British life, from Elizabeth I to David Beckham, from Shakespeare to Seamus Heaney, portrayed by artists as diverse as Hans Holbein, David Bailey, Joshua Reynolds and Paula Rego. The featured works are arranged chronologically in sections, each of which is prefaced by a text written by the curator responsible for that period, drawing on their expert knowledge and recent research. Each image is accompanied by an extended caption that provides key information on the sitter and the artist and places the work in its historical and creative context. Special features, which include making art in Tudor Britain, miniatures, sculpture, early photography, twenty- and twenty-first-century photography, self-portraits, celebrity and non-traditional media, offer insight into particular areas of the Collection. A fascinating introductory essay explains the history and purpose of this great public institution and is illustrated with a wealth of rare and illuminating material from the Gallerys extensive archive, including photographs, plans, letters and sketchbooks, some previously unpublished.