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Phyllida Barlow

cul-de-sac


  • Royal Academy (ACC)
Barlow's large-scale sculptures eschew serenity, balance and beauty in favour of instability, obstruction and oddness. They invade the spaces they inhabit, instead of neatly complementing them. Her use of inexpensive, everyday materials - concrete, plywood, cardboard, plaster, fabric and paint - suggests that her works are a double act of recycling: both of the materials she uses and the images she draws from her memory.

ISBN 9781912520015 | E | PB
€22,00
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Publisher Royal Academy (ACC)
ISBN 9781912520015
Publication date February 2019
Edition Paperback
Dimensions 270 x 230 mm
Illustrations 60 col.ill.
Pages 80
Language(s) Eng. ed.
Description

New site-specific works by Phyllida Barlow fill the Royal Academy's Gabrielle Jungels-Winkler Galleries in early 2019
This accompanying publication provides a lively account of the artist's role in modern British sculpture

The British sculptor Phyllida Barlow CBE RA (b. 1944) studied at Chelsea College of Art (1960-63) and the Slade School of Art (1963-66), where she later taught for much of her career. In recent years, she has been elected a Royal Academician, created new work for Tate and the Royal Academy, had numerous solo shows and represented Britain at the Venice Biennale.

Barlow's large-scale sculptures eschew serenity, balance and beauty in favour of instability, obstruction and oddness. They invade the spaces they inhabit, instead of neatly complementing them. Her use of inexpensive, everyday materials - concrete, plywood, cardboard, plaster, fabric and paint - suggests that her works are a double act of recycling: both of the materials she uses and the images she draws from her memory.