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New Inventions and the Latest Innovations

Gaston de Pawlowski


  • D.A.P.
  • Wakefield Press
  • by Gaston de Pawlowski, Doug Skinner, Amanda DeMarco
Originally published in book form in 1916, this volume of French author Gaston de Pawlowski's (1874-1933) writings, New Inventions and the Latest Innovations, collects the humorist's fictional columns mocking his era's burgeoning consumerism and growing faith in science. Pawlowski offers a far-sighted critique of technological gadgetry and a cynical promise to remove discomfort from every facet of life, even as World War I raged on and technology was unleashing new horrors onto humanity.

ISBN 9781939663986 | EN | PB
€19,50
at this moment not in stock
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Publisher D.A.P.
ISBN 9781939663986
Author(s) Gaston de Pawlowski, Doug Skinner, Amanda DeMarco
Publication date August 2024
Edition Paperback
Dimensions 203 x 133 mm
Pages 200
Language(s) English ed.
Exhibition Wakefield Press
Description

Satirical yet prophetical advertisements for imaginary new products, influential to Marcel Duchamp and Francis Picabia.

Originally published in book form in 1916, this volume of French author Gaston de Pawlowski's (1874-1933) writings, New Inventions and the Latest Innovations, collects the humorist's fictional columns mocking his era's burgeoning consumerism and growing faith in science. From anti-slip soap, gut rests and the pocket-sized yardstick to repurposed spittoons, nasal vacuums, electric oysters and musicographical revolvers, Pawlowski offers a far-sighted critique of technological gadgetry and a cynical promise to remove discomfort from every facet of life, even as World War I raged on and technology was unleashing new horrors onto humanity.
Pawlowski's humorous cultural critique and tongue-in-cheek celebration of uselessness and futility bears relevance for today, as technology remains the hoped-for answer to our increasingly troubled human condition.

Described with the excessive optimism of the sales pitch, these inventions of yesteryear were also an influence in the arts, admired by such figures as Marcel Duchamp and Raymond Queneau, and standing as a precursor to the work of such artists as Jean Tinguely and today's looming specter of AI-generated artwork and literature.