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Marcel Duchamps letztes Readymade

Faux vagin


  • Hatje Cantz (Thames)
  • by Gerhard Graulich, Kornelia Röder, Text von Thomas Zaunschirm, Gestaltung von Atelier
With its purchase of the Marcel Duchamp collection from Antwerp-based Ronny van de Velde, the Staatliche Museum Schwerin has extended its own collection of works by the artist to become the most comprehensive in Germany, accompanied by the museum's Duchamp Research Centre. Based on his last ready-made, in the third volume of the series art historian Thomas Zaunschirm examines the ready-made as an independent genre.

ISBN 9783775739306 | E/ G | HB
€36,50
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Publisher Hatje Cantz (Thames)
ISBN 9783775739306
Author(s) Gerhard Graulich, Kornelia Röder, Text von Thomas Zaunschirm, Gestaltung von Atelier
Publication date November 2014
Edition Hardback
Dimensions 240 x 170 mm
Illustrations 47 col.ill.
Pages 224
Language(s) Eng./ Germ. ed.
Description

With its purchase of the Marcel Duchamp collection from Antwerp-based Ronny van de Velde, the Staatliche Museum Schwerin has extended its own collection of works by the artist to become the most comprehensive in Germany, accompanied by the museum's Duchamp Research Centre. The monograph series Poeisis documents and publishes new research findings on Marcel Duchamp. Based on his last ready-made, in the third volume of the series art historian Thomas Zaunschirm examines the ready-made as an independent genre. The red license plate with the title Faux vagin is both a single as well as a multiple object, and it has previously received little attention in research on Duchamp despite this special feature. Light is now being shed on the story of its origin for the first time. Connections become apparent to, for instance, the early automobile industry in the Parisian commune of Puteaux or Francis Picabia's fascination for machines, as well as to Duchamp's projects Large Glass and Étant donnés.