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After Nature. Ulrike Crespo Photography Prize 2024

Laura Huertas Millàn - Sarker Protick


  • Hartmann Books
  • Expo: 14/09/2024 - 23/01/2025, C/O Berlin
  • by by Sria Chatterjee, Sara Garzón, Katharina Täschner
After Nature - The Ulrike Crespo Photography Prize is a joint project of the C/O Berlin Foundation and the Crespo Foundation. Every year, the prize honors artists who explore new concepts of nature in photography and other visual media through their work. The accompanying publication presents the work of the first two prizewinners.

ISBN 9783960701149 | EN-GE | PB
€34,00
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Publisher Hartmann Books
ISBN 9783960701149
Author(s) by Sria Chatterjee, Sara Garzón, Katharina Täschner
Publication date September 2024
Edition Paperback
Dimensions 280 x 220 mm
Illustrations 120 col.ill.
Pages 200
Language(s) Eng/ Germ. edition
Exhibition C/O Berlin
Description
After Nature - The Ulrike Crespo Photography Prize is a joint project of the C/O Berlin Foundation and the Crespo Foundation. Every year, the prize honors artists who explore new concepts of nature in photography and other visual media through their work. The accompanying publication presents the work of the first two prizewinners. Laura Huertas Millán (*1983, Colombia) deals with the cultural, medicinal, and ritual applications of the coca plant long before cocaine was first produced in nineteenth-century Europe. Based on the prohibition of the plant in the course of the Spanish colonization of Latin America, she develops a speculative narrative centered on a group of women who secretly distributed coca leaves in the seventeenth century. The artist uses fiction as a strategy, imagining a fragmentary narrative about the colonial appropriation of nature and the resistance to it. Sarker Protick (*1986, Bangladesh) focuses on the historical territory of Bengal, which today extends across India and Bangladesh. In his pictures, he translates his examination of the colonial history of the British Empire into a photographic investigation of the present. He is interested in the expansion of railroad connections and coal mining in the nineteenth century. Traveling through Bangladesh and India, he creates a body of photographs that addresses the global, geopolitical, and historical dimensions of imperialism as a key driver of the climate crisis.