The Illuminated Choir Books of San Giorgio Maggiore in Venice

This volume is devoted to the choir books of San Giorgio Maggiore in Venice, which represent some of our most important evidence for Italian Renaissance illumination and are fortunately still in large part preserved at the Abbey that commissioned them. The texts and music for the monks’ daily prayers are accompanied by hand-painted tempera illustrations embellished with gold leaf, produced by such illuminators as Belbello da Pavia, Jacopo del Giallo, the Master of Antiphonary Q and the Second Master of Antiphonary M, the names of the latter artists deriving from their work at San Giorgio.
The essays, biographies of the illuminators and catalogue entries written by schol- ars and specialists together with the lavish illustrations guide the reader through the discovery of the choir books, examined here for the first time from an interdisciplinary perspective. New research on the volumes’ history, liturgy and music, along with meticulous stylistic analysis and scientific study of the illuminations, reveals the greatness of the Benedictine patrons and the artists who worked for them.

Federica Toniolo è Professore Ordinario di Storia dell’Arte Medievale e Storia della Miniatura all’Università di Padova. Tra i suoi molti lavori, ha co-curato diverse mostre e il catalogo della collezione di miniature della Fondazione Cini (2016).
Chiara Ponchia è Ricercatrice abilitata in Storia dell’Arte Medievale e Storia della Miniatura all’Università di Padova. Tra le sue pubblicazioni, Frammenti dell’Aldila. Miniature trecentesche della Divina Commedia (2015).

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