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Colonial tales, trails and traces

A critical guide to understanding Belgium's colonisation of Congo and how it continues to reinforce racist stereotypes.


  • Luster
  • by Nicholas Lewis. Laura Nsengiyumva, Veronique Clette-Gakuba, Georgine Dibua Mbombo, Frangois Makanga and Anne Wetsi Mpoma
A critical guide to understanding Belgium's colonisation of Congo and how it continues to reinforce racist stereotypes. Through a critical analysis of the very meaning behind the enduring presence of these colonial markers, Nicholas Lewis demonstrates how Belgium remains a fundamentally racist country, due in no small part to its decades of colonial deceit and denial. Focusing specifically on the communes of Etterbeek, Ixelles and Schaerbeek as well as the areas surrounding the Place Royale, CinquantenaIre

ISBN 9789460583186 | EN | PB
€25,00
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Publisher Luster
ISBN 9789460583186
Author(s) Nicholas Lewis. Laura Nsengiyumva, Veronique Clette-Gakuba, Georgine Dibua Mbombo, Frangois Makanga and Anne Wetsi Mpoma
Publication date April 2022
Edition Paperback
Dimensions 240 x 179 mm
Pages 223
Language(s) English ed.
Description

Through its decades of colonial deceit and denial, Belgium remainsa fundamentally racist country: this is the core premise of this critical, committed, outspoken and persuasive book by Nicholas Lewis (founder and editor-in-chief of The Word). The primary focus of his argument is the public space in Brussels, and the remarkably visible traces in it of racist colonial characters and myths. He points to demeaning colonial monuments and street names that glorify exploitative colonials in Etterbeek, Ixelles and Schaerbeek, in Place Royale and Cinquantenaire, and writes about the AfricaMuseum.

In between these chapters the book also holds passionate, wise and sometimes activist essays, written by important voices from the Congolese and Black communities, being Laura Nsengiyumva, Ve´ronique Clette-Gakuba, Anne M. Georgine Dibua, Franc¸ois Makanga and Anne Wetsi Mpoma. The texts are combined with gripping photos from the past and the present, and the strong graphic design showcases Lewis’s bold and moving message: that racist stereotypes remain intrinsic to the contemporary Belgian society, as hampered as it is haunted by the spectre of its imperialistic ancestors.