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Berlinde De Bruyckere

Angel's Throat


  • Fonds Mercator/ Mercatorfonds
  • Reprint. Expo: 09/02/2021 - 27/06/2021, Bonnefantenmuseum, Maastricht
  • by Berlinde De Bruyckere, Stijn Huijts, Erwin Mortier, with poems by Zbigniew Herbert
The exhibition catalogue Berlinde De Bruyckere. Angel's Throat has been created with recent work from 2014 to the present. The themes on which De Bruyckere has focused in recent years have been brought together here for the first time, revealing their underlying common ground. Her monumental works are inspired by the idea of an angel, as portrayed in myths, stories, literature and art history.

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ISBN 9789462303171 | E | HB
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Publisher Fonds Mercator/ Mercatorfonds
ISBN 9789462303171
Author(s) Berlinde De Bruyckere, Stijn Huijts, Erwin Mortier, with poems by Zbigniew Herbert
Publication date December 2021
Edition Hardback
Dimensions 240 x 170 mm
Illustrations 150 col. & bw ill.
Pages 144
Language(s) Eng. ed.
Exhibition Bonnefantenmuseum, Maastricht
Publisher ISBN 9789462303188 (NL)
Description

Berlinde De Bruyckere (Ghent, 1964) has been a leading light in the international contemporary art world for many years already. Her raw, intriguing sculptures, installations and drawings draw strength from vulnerability and tenderness in the face of relentlessness. This exhibition catalogue shows her taking new steps on her artistic path, in search of the meaning of humanity, physicality, suffering and vitality. The themes in De Bruyckere's work have a universal and timeless value. But they gain extra urgency in times when, prompted by an unknown pandemic, the need for human connection is greater than ever, while at the same time the body has become a danger to mankind.

De Bruyckere's compelling sculptures have a long and complex creative history. Much of her work is constructed of wax, resin, rope, skins and canvas, which she sometimes exposes to the elements for years before incorporating them into her art. Despite their confronting character the sculptures cry out to be touched and stroked, and exude warmth and the tangibility of existence. It is this powerful resonance that has made De Bruyckere one of the most important West European artists, ever since the early days of her career. Her oeuvre has been honoured by solo exhibitions all over the world. She has received several awards and has participated twice in the Venetian Biennale: in 2003 in the main pavilion, and in 2013 when she represented Belgium, in collaboration with Nobel Prize winner J.M. Coetzee. The Bonnefanten is the stage for her first Dutch solo exhibition since 2015.

Following two mid-career retrospectives illustrating the period 2000-2014, De Bruyckere is now showing her most recent work. She focuses on the period from 2014 up to the present. The book includes work that has never be seen before. These monumental works are inspired by the idea of an angel, as portrayed in myths, stories, literature and art history. Conceived in the loneliness and isolation of the corona crisis, the angel guards against a lonely existence and, even more importantly, against a lonely death. According to Berlinde, an angel - with its warm, dark wings - provides protection; a refuge from fear. It is a wonderful example of the fragile line De Bruyckere treads between artistic poeticism and engagement with current affairs.